It feels weird to start another post of the subject of hobbies, but dudes, they’re important.
We’re at the point of really refining what gets to come with us in the Chinook, and it’s not going to be a whole lot. One thing that IS coming, though, is the Art Box. (Other Boxes of note: Dog Box, Tool Box, Office Box.) At first glance, I think the Art Box seems frivolous, like there’s something more important that could go into the space that it’ll take up.
But the thing is this: Art is important. It’s important culturally, and individually. I can’t thrive when I feel like I don’t produce anything. Working on creative projects helps keep the brain flexible, in the same way that riding a bike makes the body better able to do the work of carrying a baby.
“All work and no play makes Jack a dull boy.” I always read this as meaning that Jack was dull to be around; that having no fun outside of work meant that Jack couldn’t relate to other people. I still think that’s true, but it’s not the whole meaning. All work and no play makes Jack less sharp, less shiny, less bright.
I think that people who make a craft (rather than a “fine art”) as their creative output get a little more leeway from the judgment that “art’s not important.” My friend’s dad is a recreational cabinet maker; another friend has gotten deep into tailoring her own clothes; occasionally I finish a knitting project. These creative outputs tell other people that we’re “doing something” when we’re doing something creative.
Lately I’ve gotten into the habit of waking up on Saturday morning and putting on my trail boss pants, driving the men of the house outside to work in the yard. Part of it is necessity – five adults in one house gets to be overwhelming, and making the backyard habitable relieves some of the pressure of close quarters. It’s practical, too, beyond just necessary: clearing the ivy from the broken fence so it can be replaced, taking last years fallen leaves to the compost, reducing the number of hazards to both children and unprotected feet. But even beyond that, I do it because it enables me to force them to work on something good.
After days of hauling out leaves and unneeded branches and that stupid ivy, I dragged my dad out there after work one evening. “Come to the yard and let’s talk about your trees.”
“I don’t want to talk about the trees!” he said, as if that were even remotely true. But it didn’t matter, really. The trees are there because he planted them, because he needed them, and they still need him. So I dragged him out (that may be a little melodramatic, yes), and made him spend a few quiet minutes discovering what the yard has been up to while he’s been busy elsewhere. I showed him the tiny, perfect red maple seedlings hiding under the crab apple (RIP, crab apple). We talked about the trees after all.
I do the same thing to Joe – I drag him out of the house, into the sunshine, into the yard where he gets to climb and destroy things and find weird shaped pieces of wood. I drag him outside because it’s really hard to force someone to paint, but it’s easy to say “I need you to help me with some work.” “Come keep me company while I clean the garage, and oh, incidentally, let’s talk about art projects!”
I don’t think of myself as an artist, particularly not a good one, but I love nourishing the artist in other people. During an argument with Carlos, I told him, “What I want is for you to finish the ukulele you’re building me!” It wasn’t because I need that ukulele, but because I want him to spend time making art.
I want all of us to spend time making art, in ways that are appropriate to ourselves. We cannot go live our life on the road without bringing with us the tools to improve and maintain our souls. So we’ll bring fewer pairs of shoes or whatever, and make a little extra room for the screenprinting gear. It’s a trade that is entirely worth it to me.
Apropos: As I was writing this, a smart friend shared this video. I LOVE IT!